“THAT’S NOT ONLY BRILLIANT — IT’S ‘why-didn’t-I-think-of-that’ brilliant.”
A BUOPOTH IS A STRANGE beast: some say it is half-composed of men’s dreams, others prefer not to speculate. But of the little that...
| Email Edition | Contact“THAT’S NOT ONLY BRILLIANT — IT’S ‘why-didn’t-I-think-of-that’ brilliant.”
EVEN IF THERE’S LITTLE TO read — sometimes, especially if there’s little to read — nothing beats sharing an early morning newspaper with someone you love.
UNLESS IT CONTAINS A CRITICISM of what the writer didn’t say, no letters-and-opinion section is complete.
THE MARITIME SECTION OF MY home library is, like a captain’s yacht, small but well-appointed. I’ve been a ship geek since 1987-88, when I served as a deckhand/docent on a replica of the Golden Hinde, and my taste tends toward the practical: knots, rules of the road, sea survival, Bluejackets’ Manual, even a 1955 Watch Officer’s Guide published at Annapolis. One book whose slim size belies its comprehensivity is more theoretical and historical: I refer to the excellent 1982 volume The Lore Of Sail.
LoS’ 256 pages are divided into four sections plus index: The Hull, Spars and Rigging, The Sail, and Navigation and Ship-handling. Each is a well-illustrated guide to the historical evolution of ships from ancient Egypt to modern Europe. Its size makes it perfect for backpack or peacoat pocket while browsing the world’s great maritime museums or rigged ships, but it’s also museum-like in scope and scale. From the Introduction by Captain Sam Svensson:
From ancient times, sailing the seas has been a unique profession, with techniques and methods which have always puzzled the landlubber. One thousand years before Christ, Solomon said that the way of a ship in the midst of the sea was too wonderful for him to understand.
A MODERN SENSIBILITY IS THE greatest impediment to understanding ancient traditions. (And sometimes vice-versa.)
1. THE MORNING ISN’T COMPLETE WITHOUT checking into the daily comics page and some of my favorite parallel universes. I scan most of what’s there (as my friend Gary Nordstrom says, “If the author went to the trouble of writing it, as a fan I should take the trouble to read it”), and while my eternal favorites are now but shrine-emplaced memories (Pogo, Calvin & Hobbes, The Far Side and Ernie Bushmiller’s Nancy) here’s a handful I look forward to each day. What they have in common is strong characterization, technical competency and good writing, but that’s not all:
2. Get Fuzzy. The only “funny animal” strip that “gets” the animal mind (in the way that Jack Vance “gets” the alien mind). Darby Conley’s Satchel Pooch and Bucky T. Katt are, well, not quite human — and they’re rendered that way, as they muddle through each day trying not to give Rob Wilco (their human roommate) one of his perennial headaches. Read more »
DO ANT THEOLOGIANS EXHORT THEIR multitudes against the fate awaiting them under Dante’s Magnifying Glass?
- Definition: “1 chiefly British : a large heavy truck 2 : a massive inexorable force, campaign, movement, or object that crushes whatever is in its path”
- Used in a sentence: “My sister’s new baby is a juggernaut of cuteness.”
- Why: Because Old Hindi words sound so innately cool.
THERE ARE BOOKS, AND THERE are books. This one contains “The Greatest Science Fiction Stories of All Time Chosen by the Members of the Science Fiction Writers of America,” and is standard issue to all geeks and geekettes who want to know the first thing about things SFnal. (It’s subtitled “Volume One, 1929-1964;” Volume Two (which I haven’t read) is itself two 1973 volumes devoted to novellas written and published between 1895 and 1961.)
I first read this (these? it’s an anthology, after all) when I was eight years old, as part of the first package I ever got from the Science Fiction Book Club. Without it for years, I now have a spiffy new trade paperback which seems almost a facsimile of the original contents in terms of fonts, layout, etc. And the memories! Stuck in Fredric Brown’s alien showdown (which became a Star Trek episode)! Trapped with Lewis Padgett’s mad teaching machines! Exploring Tibetan mythology with Arthur C. Clarke!
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ASTUTE READERS OF THE METAPHORAGER may have noted the default use of the masculine gender (e.g. he, him, his, man, etc.). This is due neither to a slight against the better-looking sex nor a political statement, but the love of such phrases as “MAN ON MOON” or “essential love of mankind” or “There are...
IF YOU HAVE NEVER READ the original James Bond stories by Ian Fleming, you don’t know James Bond.
You also don’t know sweeping prose that zips along like a rocket; lush description with a reporter’s eye for detail; fourth-wall breaking double-entendres; high-concept doomsday plans only one man can stop; and some of the best philosophical bon mots in the business. I like Fleming’s Bond for all these reasons, but mostly I like Fleming because he is a writer who inspires me to write — he makes it look easy, unlike some of my other literary heroes.
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WITH THE RIGHT BOOK, YOU can wait anywhere for anything.
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