“WHAT CAN I DO, RIGHT now, to better myself?”
A BUOPOTH IS A STRANGE beast: some say it is half-composed of men’s dreams, others prefer not to speculate. But of the little that...
“WHAT CAN I DO, RIGHT now, to better myself?”
AS SOUND IS SLOWLY-VIBRATING light, ambition is slowly-vibrating desperation.
WHEN IN DOUBT, SHOOT FROM the heart.
A SURE TEST OF ANY theology is to ask, “Does God exist before human beings?”
Among other things, the answer can shed light on one’s grasp of science. For if you allow for a God who watched over the dinosaurs, who saw the primordial soup trend toward consciousness on a billion planets, who was delighted by the Big Bang — in short, One who doesn’t need humans to survive and Whom humans can only love fiercely but dimly — you may well be on to something.
I can’t say what. But it’s Something.
MATURITY IS WHAT HAPPENS WHEN we choose to be fascinated by something other than ourselves.
DOES THE PHRASE “OLD SOUL” apply to anyone past their early 20s?
OUR POLITICAL LANDSCAPE MIGHT BE less prickly were our politics not so personal.
OF ALL HUMAN EXPERIENCES, WAITING may be the least explicable.
We usually experience Time both as a series of events (“progression”) and an eternal Now (“duration”). Progression is as a pot slowly boiling or day growing late or stomach more hungry. “Duration” is the center of whatever moment (and all moments) we experience. These levels are so seamless as to first appear invisible. (Work with me here.)
Waiting suspends your attention — you’ve given your order, taken your place in line, tried to start the engine — now what? Read more »
SLOPPY THINKING.
LET’S MAKE THIS AN EXPLORATION of the landscapes of creativity — how does the creative experience feel to you?
Mentally, I’m all about visualization: perhaps it’s synesthesia, but even smells and sounds have a visual component for me. So I’ve always seen “the creative process” as starting with a curtain across half the universe. Every now and then, the curtain parts just enough to reveal an Idea.
It could be a series of images, even images of words. Now and then it’s a sound. But even the most abstract Idea carries a visual impression of girders and joists, ropes and scrim. Sometimes an Idea will be revealed a piece at a time, with a whole clicking into place almost audibly and palpably. If it’s long, like a story, it feels like a rope uncoiling from the other side of the curtain — a line which must not be allowed to grow slack.
Sometimes an Idea links up with something inside the rest of the universe. Other times it just sits there, gleaming, faintly pulsing, daring me to capture it in words on a screen or a sketch in a notebook. (If I don’t, it can fade within minutes.)
So let’s make this an exploration of the sense-scapes of creativity. How does the creative experience feel to you?
THE WORLD LOOKS A LITTLE more friendly with something fragrant bubbling on the stove.
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