WHEN A MAN HAS GIVEN his life to science, even to the naked edge of that science, he is expected to be vocal about it. And if others choose not to listen, well … perhaps they won’t have the nightmares, the persistent phobias, that I do.
My name is Howard Philips. I came to this city because it offered better opportunities for a dreaming poet and erudite antiquarian than did the sprawling, soulless suburbs. I dwelt in a squalid flat near the docks, one of the city’s older neighborhoods. The pre-century architecture and furtive residents suited my mood; the diverse faces of the passing crowds inspired me to tell (or invent) their stories in free verse and rhyme.
My building seemed to have stood forever, as evidenced by its worn-down hallway carpeting; shabby lighting; and close, dank air. Its most reclusive tenant lived directly above me. I never met or even saw him, but the loud and incessant hum from his apartment – an untuned wireless? droning rotary fan? Failing air-conditioner? – disturbed my creative meditations. When I tried to complain to him, my intermittent knocking brought no response.
Then, one day, the noise ceased.