Audiomobile

“COGITATE COGITATE COGITATE COGITATE COGITATE…”

So ran one of the many “found sounds” (today called “samples”) on the pass-around tape collages that were a fringe benefit of membership in the Neo-Pagan Society of Diablo Valley College in the early-to-mid-1980s. (Accent on “fringe.”)

My initiation into this three-part sonic conspiracy – which included “Mr. Bird” and “Zoro X.R. Troll” – came about on receiving from Zoro a postage-stamped 60-minute cassette tape with no explanatory note save “PLAY ME” written on its label. Curious, I popped it into my boombox and pressed “Play.” My ears were happily assaulted (in machine-gun succession and no particular order) by excerpts from: Alan Watts, William S. Burroughs, The Grateful Dead, Firesign Theater, a straitlaced radio preacher, Mr. Bird’s paranoid brother, Tom Robbins, Zoro’s favorite inspirational readings, The Beatles, Monty Python and the Holy Grail, and various other audial offerings now hazed by time and headspace, as well as Zoro’s drawled invitation to add to, subtract from, or otherwise mess with “this here tape” before sending it either back to him or on to Mr. Bird.

The process was simple:

1- Wire up two cassette recorder/players from output to input (this also works just as well, if not better, if you have one two-bay cassette player/recorder).
2- Load output player with whatever you like: music, spoken narrative or poetry, movie/tv soundtrack, sound effects, live microphone, &c., as limited only by imagination and source material.
3- Load a cassette into the input recorder, press “Record,” and engage the Pause button.
4- Play a section of the output tape.
5- Disengage input ‘s Pause button to record as much output as you want, then re-engage.
6- Switch output sources, the more incongruous and/or thematic the better.
7- Repeat process until you lose interest. (WARNING! It’s addictive.)

To simple, mad minds like ours, the results were vastly entertaining, and inadequately depicted in writing: “output1 (click) OUTPUT2! (click) OuTpUt3? (click) oUtPuT4…” ad infinitum.

After it was exchanged for a while, the tape had mutated into something very odd and layered indeed. One surrealistic iteration included dialog between myself and elements of David Bowie’s “Ziggy Stardust.” Another had Mr. Bird and Zoro calling out each others’ names in weird voices and at unexpected intervals. Yet a third featured Jim Morrison repeating the lyric “learn to forget” over and over and over.

For whatever reasons, we three eventually drifted away from this collaborative creation. Yet I still have a copy of the original tape kicking around here somewhere, plus one which I slowly built up over a period of nearly 20 years, always meaning to send it on to my colleagues.

Perhaps, one day, I will.

2 comments for “Audiomobile

  1. 2025.01.17 at 08:37

    Thanks for this, Neal, to quote AKL “I don’t know if you would call this Art, but…”

    The tape collages were an inspired collaboration.

    Many of them I digitized in the early 2000s and have uploaded to my YouTube Channel where they are readily available to the curious.

    https://www.youtube.com/watch?v=AE82HkeMUdQ&list=PL4ADE4FA122A7C62F

    https://www.youtube.com/@roarshockchannel

    D. A. “Roarshock” Wilson

    • Alan K. Lipton
      2025.01.17 at 12:46

      Zoro, I’m glad you digitized some of these. I have a similar project on my to-do list (very low on the list, it would seem), but it’s entirely possible that those hundreds of hours of audio stashed deep in my closet (of which our collages are but a fraction) have flaked away to rust. I oughta check one of these days…

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