HANGING BY OUR COMPUTER IS a sheet of paper I look to for inspiration. Sometimes it inspires me, sometimes it depresses me, but always it gets me back on the horse. It’s called “Why (and How) We Write.” If you too find it useful, please hang it by your computer.
1. Do it for the buzz.
– Stephen King
2. Finish what you start. Keep submitting until it sells.
— Robert Heinlein
3. a) Fanaticize yourself
b) Fanaticize something greater than yourself
c) “Sheer delight in what you are doing.”
– Robert Anton Wilson
4. a) Arrange events in linear order
b) Now arrange them in narrative order.
c) Write the story.
d) Revise the story.
e) FINALISE.
– H. P. Lovecraft
5. “Most of the characteristics which make for success in writing are precisely those which we are all taught to repress … the firm belief that you are an important person, that you are a lot smarter than most people, and that your ideas are so damned important that everybody should listen to you.”
– Robert Anton Wilson, reprise
“ENSIGN MULDOON. RISE AND SHINE.”
“What? Huh? What? Time is it?”
“Oh six hundred.”
“Oh SIX hundred? But it’s still dark ou– oh.”
Posted in Writing
FROM HIS GALLEYWAGON AT THE edge of Pormaris’ busy South Market, Prosatio Silban could see the funeral pyres at their greedy task.
It wasn’t the best location, but the result of being last through the gate of the City of Gourmands that morning with all the good spots already taken. And it wasn’t so much the spectacle which bothered Prosatio Silban as the lack of custom; mourners were a notoriously unhungry lot. Here it was approaching dinner, and he had not sold so much as a bowl of beans. Such is life, he thought, opening the ‘wagon door to a light salt breeze. Life’s only constancies are death and hunger, and like most extremes they make a poor mix.
The beefy cook stepped down from the galleywagon and stood, stretching, between the two tables he’d deployed earlier. His eyes swept the pyres: a long row of smoke- or flame-crowned mounds at the water’s edge, surrounded here and there by bowed figures. The muted rhythms of Uulian death chants were just audible under the bustling of the market-throng, like a burnt undercurrent in an otherwise delectable pilaf.
One mound was unaccompanied save for someone tall in a black robe and golden sunhat. Prosatio Silban’s eyes narrowed. The pyre couldn’t have been burning that long. The cook had noted the solitary mourner when he set up his tables.
The figure knelt, then arose, shoulders drooped. When she turned, Prosatio Silban looked into one of the saddest faces he’d ever seen. Each line had been etched by a hundred sorrows; the otherwise clear blue eyes were red with weeping; her gaunt cheeks were daubed with tears. She sighed, wiped her face with a handkerchief and looked vaguely about. Seeing Prosatio Silban’s galleywagon, she started toward it with surprisingly brisk step.
“Yes, madam? Something to comfort soul, or body?”
Her voice was like wheezy reeds, but warm. “Thank you,” she said, seating herself. “A simple cress-and-cheese horn would satisfy both, please. And a glass of blue duliac.”
Prosatio Silban bowed and stepped up into his galleywagon. He retrieved from his cold box a bundle of greens and three slices of pale yellow cheese, then selected from a basket a thick blue-rice crescent. He sliced open the latter, tucked in the former, and drew a thin stream of sapphire liquid from a large cask into a fluted glass tumbler.
He arranged it all on a painted wooden tray and set the meal before his customer. “Thank you,” she said. “What do I owe you?”
“I am the Cook for Any Price,” Prosatio Silban replied. “But this has been a slow day, and I am tempted to charge accordingly.”
She looked up at him. Her smile was like the sun rising behind a thunderhead, so much so that Prosatio Silban took a half-step back.
“Well, then, I am at your mercy,” she said. “I am not a woman of that many means.”
“Fortunately, your tastes are inexpensive,” Prosatio Silban said, then dropped his voice a touch. “And I am sympathetic. You have been at the pyres all day.”
“Yes?”
“Was the passed-on someone close to you?”
“I don’t know,” she said.
“I’m sorry?”
“I never know. That is why I am here.”
“I don’t understand …”
“It is a kindness I cannot repay.” Her voice was even, but her eyes remembered. “Do you have a family?”
“Not here.”
“Neither do they.”
She held Prosatio Silban’s eyes; realizing it, she looked away. “May I pay you for the meal?”
Prosatio Silban bowed. “You already have.”
Posted in Writing
from a pre-Blogger blog
Attending a dinner for the Society of Professional Journalists’ Northern California chapter, as a co-recipient of their annual James Madison Freedom of Information Award, I’m in the presence of real journalistic heroes: men and women quietly doing their jobs in order that their fellow-citizens can be better informed about their world. Some of those people, like the person who enabled us (by which I mean, my former employer and myself) to write the stories which lead our reception of the award, are bigger heroes: someone who risked a job (and security) in order to do the right thing — by blowing a badly-needed whistle.
As this is an online scrapbook, here’s my half of the acceptance speech (after my ex-boss introduced me by telling everyone that I had quit the news biz to attend rabbinical school):
“They say this job will drive you either to drink, or religion. I seem to have chosen the latter…
“When I was a kid, I was crazy about Don Quixote: knight-errant, defender of justice and the innocent, tilter at windmills which he thought were fierce giants.
“As a result, I wanted to follow in his footsteps. I never thought I’d do it while working as a reporter.
“But when we first broke our story, after years of anonymous — but unproven — allegations that all was not well at SDC, my wife sent a bouquet of flowers to my desk, with a note: ‘You knew they were giants all along.’
“In a different way, this award says the same thing. The quest continues. Thank you.”
The evening is inspiring. It’s enlightening. It makes me really, really miss the news business. But it doesn’t make me miss it enough.
Posted in Writing
ALL I REMEMBER NOW ARE images, and the intimate passion of an infinite love.
I remember the room of globes, of maps of worlds and wonders, soft with pillows and draped scarves. And She was there. And She knew me. And loved me. And told me I was Her own and always would be — “but it is not yet your time to be with Me.”
And She kissed me.
Her words, warm as her arms, were now cutting ice. I cried, I begged — I think I wailed. “No! Don’t leave me! Please! No!”
She told me she would see me again, one day. “I will not leave you. But you cannot be with me. Yet.”
I awoke sobbing, but comforted in Her absence — oh so small, and cold, next to Her presence! — by the knowledge that She loves me best of all Her lovers (although She loves all her lovers this way). And so I sit by the open window in springtime, listening for Her voice.
And still She walks the hidden retreats, where a ghost of love wraps me like a veil, like a scarf hung in a room full of globes where my Lady waits for me.
One day.
(They say every poet is slipped a glimpse of the Muse unadorned and transcendent, triumphant and radiant, loving, intimate and wise. I don’t know if this qualifies, but I dreamed this, as vividly as a sunset breeze, when I was 17 or 18. And I have never forgotten it.)
Posted in Writing
This is what I said about Jim at his funeral:
When studying to be a rabbi, I learned a tradition that says one should begin every public discourse with a jest. So here?s Jim?s and my very favorite shared joke ? at least, the one that?s suitable for mixed company:
A man who had studied much in the schools of wisdom finally died in the fullness of time and found himself at the Gates of Eternity.
An angel of light approached him and said, “Go no further, O mortal, until you have proven to me your worthiness to enter into Paradise!”
But the man answered, “Just a minute now. First of all, can you prove to me this is a real Heaven, and not just the wild fantasy of my disordered mind undergoing death?”
Before the angel could reply, a voice from inside the gates shouted:
“Let him in – he’s one of us!”
The ironic thing about my best friend dying is that he’s the only one with whom I want to discuss it.
This is my first visit to Griefland, and I’m still finding my way around. But “Sputnik” would see the black crushing horror part of it AS WELL AS the intensely spiritual aspect. And know that the one does not preclude the other.
Jim and I were soulmates for life, even though our 1980s-era experiments at roommate-hood proved that we would viciously murder each other in our sleep if we ever tried living together again. We were that much alike, and when you love someone that deeply it gives them leave to annoy you mightily. And annoy each other we did, though never intentionally.
But what really annoys me is that Jim finally won the game we’d been playing ever since we met in 1978. You see, he now knows something I don’t.
For Sputnik and I, the Alpha Male game was measured not by how big our toys were but by how big our brains and hearts were — and how well we used them. Our serious quest for the Sourceless Source meant we couldn’t afford to mess around with anything less — and even though we freely acknowledged that our quest was ultimately unachievable, we wanted it to be real.
An anthropologist’s skepticism, saint’s reverence and anarchist’s sense of humor, coupled with his amazing memory, made Jim fingertip-familiar with numberless and little-known facts, theories, theologies, philosophies, ontologies, epistemologies, epiphanies, chemical interactions and their results, and strange doings of mutual friends and secretly-famous personalities. As Jim’s psychic twin, I can tell you that this paved the way for inevitable and mutual quasi-macho posturing.
Now, one of the great joys of sharing unshared information is making the other fellow say, “Wow! Where’d you hear that?” During our quarter-century together, I could probably count on one hand the times that actually happened instead of the usual “Right. And have you thought about this or that correlation?”
This unspoken but obvious competition kept us both on the Path, which — for the two of us — was the exact same path with the exact same curves at roughly the same time, exquisitely tailored to our individual hands, accompanied by headshaking laughter at our unswerving devotion to something so obviously arbitrary and wordlessly meaningful as our different religious traditions ? his Christian, mine Jewish. But Jim was always a practical guy, living both in the moment as well as in its multiple interpretations, cheerfully accepting the Mystery even as he poked at its manifestations.
Well, that Mystery is cleared up for one of us. And now that Jim’s life is a closed book, I’m really beginning to see how much we actually were a part of each other — and how much a part we all are of everyone we know, especially if we let each other all the way inside.
None of us will never “get over” Jim’s death, because we will never get over Jim’s life. We can’t help it, because we ultimately live in each other. And while it may take a long time for the pain of Jim’s death to lessen, if it ever does, it won?t take nearly as long for us to understand that he is, and always will be, still with us.
Happy trails, my friend. I hope I’ll see you later.
“So the first thing is where. My first thought is the Heart of Green.”
“Off to the Right?”
“No, before that and down hill. At the base of the Stairstream.”
“Oh. Under that cliffy flat place that leads to Blasted Heath, over the cliffs.”
“Yes, where Keith started cursing out the valley in neo-Sumerian.”
“—hole.”
“Quite. Anyway, what about there?”
“Okay. Sure. Then we could go by Elven Rocks…”
“The rocks on the right, or the ones on top of the hill with the view down the back and, what is that, north?”
“Yeah … I think they filmed part of Harold and Maude out there. Looks like it. The bridge scene.”
“That was San Mateo.”
“Right, but if it wasn’t, then there. But on the from where the view is.”
“Roger Dean Rocks.”
“Roger Dean Rocks. Right. The acorn mortars.”
“Right. And through that sort of on top of the hill lane. You know? By the rock by the tree.”
“Oh! Yeah! The birthday rock!”
“Didn’t you play the flute up there once?”
“I’ll bring it.”
“Who else can we invite?”
“Who else knows the way?”
Posted in Writing
1. James Joyce is yet another proof that one man’s mind can be bigger than his skull. (If not, generational banks of Joyce scholars would have quit writing about him long ago.)
2.) Until Finnegan’s Wake, no Irishman had ever beat the Jews for mind-stretching eloquence. (Since the Talmud, the best we’ve done is Groucho Marx and Yehuda Amichai.)
3.) Come to think of it, FW and the Talmud do make two nice bookends for the Western literary tradition: what the Talmud does to Aristotle, Joyce does to Webster. (Said comeuppances piercingly beautiful to see.)
4.) If a man can spend a quarter of his life writing his Perfect Book, there’s hope for the rest of us.
5.) But only if we can manage not to be humbled by such wit-wraps as “Nations have their ego, just like individuals,” “History is a nightmare from which I am trying to wake,” or “Men are governed by lines of intellect – women: by curves of emotion.” Or: “Agenbite of inwit.” Or even:
about Anna Livia. Well, you know Anna Livia? Yes, of course, we all know Anna Livia. Tell me all. Tell me now.
(O, now, what’s the use? Another Guinness pour my muse, poor favor, purring kittenkilkenny of katzenjammers … [tape ends])
Posted in Writing
IF YOU PASSED THROUGH THE 1970s and ’80s, you likely read his Das Energi, his rock criticism, or his Philip K. Dick scholarship. Now he, like so many, needs our help.
1. THEY RECOGNIZE THE SUPERIOR QUALITY of my work by admitting that they “regret that (they) are unable to carry it in the magazine.” You can’t regret doing something that’s not regretworthy, right? Right?
2. They spelled my name right. BOTH names. I could plotz from that alone.
3. It gives me a chance to plug the original (as well as its backstory: Drifting into a reverie one afternoon, a series of images — colored panels in the style of Nicole Claveloux or George Herriman — began flipping before my eyes. I could barely write them down fast enough. That usually doesn’t happen to me; I usually compose either at the keyboard or while pacing the room. The version I sent to TNY omitted the dialog, which is inconsequential anyway; I didn’t know what else to do with it, so I sent it off. As William S Burroughs so famously quoth in Naked Lunch, “Wouldn’t you?”).
Posted in Writing
(See Also: Robert Anton Wilson / HP Lovecraft / Writing / 5 Thoughts / Text As Life)
























You Can't Stop The Signal:
What’s freaky (and probably dates me because I find it freaky) is that someone Googled “new yorker rejection slip” this morning (according to my log), and found mine as the third site thus referenced. “This new learning amazes me, Sir Bedevere.”