Tag: writers

A breed apart from ordinary humans, and responsible for much of their culture. Some would call them the salvation of humanity; others wouldn’t call them a cab.

Words to Bring Back: “Quotidian”

– Definition: adj ordinary or everyday, especially when mundane.
– Used in a sentence: If you can’t find pleasure in the quotidian, you likely won’t find it anywhere else.
– Why: To seize our eyeballs in the current attention economy, modern media abound in exclamatory superlatives: “Maximum!” “Ultimate!” “Extreme!” One welcome corrective might be to shift our focus toward life’s less intense, but no less important, aspects: a sincere handshake, late afternoon sunlight, soft music, petrichor, the flavor of cold water. Try it for yourself and see.

Audiomobile

“COGITATE COGITATE COGITATE COGITATE COGITATE…”

So ran one of the many “found sounds” (today called “samples”) on the pass-around tape collages that were a fringe benefit of membership in the Neo-Pagan Society of Diablo Valley College in the early-to-mid-1980s. (Accent on “fringe.”)

My initiation into this three-part sonic conspiracy – which included “Mr. Bird” and “Zoro X.R. Troll” – came about on receiving from Zoro a postage-stamped 60-minute cassette tape with no explanatory note save “PLAY ME” written on its label. Curious, I popped it into my boombox and pressed “Play.” My ears were happily assaulted (in machine-gun succession and no particular order) by excerpts from: Alan Watts, William S. Burroughs, The Grateful Dead, Firesign Theater, a straitlaced radio preacher, Mr. Bird’s paranoid brother, Tom Robbins, Zoro’s favorite inspirational readings, The Beatles, Monty Python and the Holy Grail, and various other audial offerings now hazed by time and headspace, as well as Zoro’s drawled invitation to add to, subtract from, or otherwise mess with “this here tape” before sending it either back to him or on to Mr. Bird.

The process was simple:

1- Wire up two cassette recorder/players from output to input (this also works just as well, if not better, if you have one two-bay cassette player/recorder).
2- Load output player with whatever you like: music, spoken narrative or poetry, movie/tv soundtrack, sound effects, live microphone, &c., as limited only by imagination and source material.
3- Load a cassette into the input recorder, press “Record,” and engage the Pause button.
4- Play a section of the output tape.
5- Disengage input ‘s Pause button to record as much output as you want, then re-engage.
6- Switch output sources, the more incongruous and/or thematic the better.
7- Repeat process until you lose interest. (WARNING! It’s addictive.)

To simple, mad minds like ours, the results were vastly entertaining, and inadequately depicted in writing: “output1 (click) OUTPUT2! (click) OuTpUt3? (click) oUtPuT4…” ad infinitum.

After it was exchanged for a while, the tape had mutated into something very odd and layered indeed. One surrealistic iteration included dialog between myself and elements of David Bowie’s “Ziggy Stardust.” Another had Mr. Bird and Zoro calling out each others’ names in weird voices and at unexpected intervals. Yet a third featured Jim Morrison repeating the lyric “learn to forget” over and over and over.

For whatever reasons, we three eventually drifted away from this collaborative creation. Yet I still have a copy of the original tape kicking around here somewhere, plus one which I slowly built up over a period of nearly 20 years, always meaning to send it on to my colleagues.

Perhaps, one day, I will.

The Zine Scene

A LONG TIME AGO, IN a post office far, far away, our mailbox was fraught with wonder and excitement.

In those cultural Dark Ages of pre-public Internet access, creative folk could communicate through the medium of “zines” – homegrown/amateur magazines, usually (but not always) photocopied by the dozen at the local 24-hour Kinko’s. Zine subjects were limited only by the interests and imaginations of their creators: politics, music (mainly punk rock), personal essays, communality, underground comix, satire, movies, TV shows, media criticism in general, religion, cassette culture, spirituality, alternative lifestyles, history, science fiction, fantasy, sexuality – the list goes on.

At the hub of this textual universe stood Factsheet Five, the quarterly “zine of zines” stuffed with hundreds of brief reviews and publisher contacts. Each issue opened up entire worlds of conceptual adventure, and she and I would take turns devouring it and highlighting the publications we wanted to receive. Per-issue costs could be anywhere between a few stamps, a few bucks, or trade for “something interesting” — including one’s own zine.

We were both well-supplied to swap: she with her women’s spirituality “perzine” (personal zine) Sacred Wilderness and me with my elsewhere-described Far Corner, a UFO/paranormal satire journal. For those small but intense investments – thinking, writing, copying, and postage – we netted a substantial return from independent publishers all over the planet.

Factsheet Five has passed into the What-Was, having ceased production in 1998. Blogging, vlogging, Substack, YouTube content, and social media in general now fill the creativity gap once occupied by zines; they’re cheaper, have a potentially longer reach, and can be published and accessed with greater immediacy. As a result, the weekly post-box trip has become more prosaic and less exciting. But the memories remain, of a secret world populated by anyone who could afford to get their personal word out and connect with likeminded others. I like to think that, though the medium may have dwindled, the spirit hasn’t. Long live the revolution!

First Graf: Sidereus Nuncio

PERHAPS THE GREATEST THING ABOUT Galileo Galilei’s first publication, translated from the Latin as The Sidereal Messenger, is his sense of adventure at being the first known human to telescopically observe and painstakingly chronicle the night sky.

Galileo recorded his unprecedented experience in 1610 CE, a time of adventurous European discoveries in general. His detailed and methodical observations will be thrilling to anyone also observing the same celestial sights for the first time through a simple 20x (read: low-power) backyard telescope. Science historian Albert Van Helden’s superb 1989 translation reveals Galileo’s excitement and wonder on every page, and adds valuable context via explanatory bookending and notes.

That era being one of grand aspirations and flowery speech, Galileo’s grateful bow to his patron, Duke Cosimo II de Medici, is fully titled, “SIDEREAL MESSENGER, unfolding great and very wonderful sights and displaying to the gaze of everyone, but especially philosophers and astronomers, the things that were observed by GALILEO GALILEI, Florentine patrician and public mathematician of the University of Padua, with the help of a spyglass lately devised by him, about the face of the Moon, countless fixed stars, the Milky Way, nebulous stars, but especially about four planets flying around the star of Jupiter at unequal intervals and periods with wonderful swiftness; which, unknown by anyone until this day, the first author detected recently and decided to name MEDICIAN STARS.” (That honorific didn’t stick; instead, the “four planets” are now called by astronomers the “Galilean moons.”)

Let us skip Galileo’s five-page introductory paean to the Duke de Medici and dive right into the first paragraph of the work itself:

In this short treatise I propose great things for inspection and contemplation by every explorer of Nature. Great, I say, because of the excellence of the things themselves, because of their newness, unheard of through the ages, and also because of the instrument with the benefit of which they make themselves manifest to our sight.

Word to Bring Back: “Fastuous”

– Definition: adj. 1. haughty, arrogant 2. ostentatious, showy
– Used in a sentence: The fastuous have taken their first steps down the rabbit-hole of militant mediocrity.
– Why: It sounds similar to “fatuous” — silly and pointless — and rightly so.

(Thank you, M.F.K. Fisher. Good one.)

Ozone; or, The Horror Upstairs

WHEN A MAN HAS GIVEN his life to science, even to the naked edge of that science, he is expected to be vocal about it. And if others choose not to listen, well … perhaps they won’t have the nightmares, the persistent phobias, that I do.

My name is Howard Philips. I came to this city because it offered better opportunities for a dreaming poet and erudite antiquarian than did the sprawling, soulless suburbs. I dwelt in a squalid flat near the docks, one of the city’s older neighborhoods. The pre-century architecture and furtive residents suited my mood; the diverse faces of the passing crowds inspired me to tell (or invent) their stories in free verse and rhyme.

My building seemed to have stood forever, as evidenced by its worn-down hallway carpeting; shabby lighting; and close, dank air. Its most reclusive tenant lived directly above me. I never met or even saw him, but the loud and incessant hum from his apartment – an untuned wireless? droning rotary fan? Failing air-conditioner? – disturbed my creative meditations. When I tried to complain to him, my intermittent knocking brought no response.

Then, one day, the noise ceased. Continue reading “Ozone; or, The Horror Upstairs”

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