Teapot Tempest

OUR SMALL COTERIE WAS IN Oakland in 1989, and in that aftermind imbued by any Grateful Dead concert: happy, playful, joyful and a wee bit mischievous.

We were also ravenously hungry, so on the way back to the car we stopped halfway through Chinatown and took in a restaurant crowded with locals. Somehow and somewhere along the way, I had acquired a small chip of dry ice and was amusing myself (and the others) by tossing it about inside my top hat. But once we were seated, I realized I needed to divest myself of my acquisition.

So I dropped it in the hot teapot sitting in the middle of our table.

You may imagine the scene which unfolded next. (No? Well, then: imagine a thick column of steam roiling up from the pot’s spout, expanding outward along the ceiling to the edge of the room, and slowly creeping down the upper part of the walls. Silence reigned among the astonished diners, while I sat there wearing my best “I meant to do that” face. Got it now?)

The rest of our meal passed in peace and relative quiet, concluding with an enormous tip and profuse thanks to the unsmiling owner.

It’s a wonder he didn’t kick us out. I guess you can’t argue with physics.

Wonder Standing

THREE YOUNG MEN relaxed inside an enormous paper-recycling bin circa 1980, musing over their preferred futures.

Youthful dreams don’t always come true. But …

“I want a huge apothecary and knowledge of all kinds of medicinal roots, herbs, and such so I could heal people,” said the short blonde one.

“I want my own piece of land, so nobody could tell me what to do,” said the tall Japanese one.

“I want the world’s biggest library, filled with books of great wisdom,” said the bearded Jewish one.

The first young man left his companions in 2002, mission largely accomplished; the second, last year and likewise. The third is still working on his (the library, not the leave-taking).

My buddy Sputnik’s apothecary existed in considerable and connected chunks strewn throughout his relatively brief life; not to romanticize it, but his curiosity-fueled meanderings (medical and spiritual) always seemed to end up benefitting everyone around him.

My buddy Ralfh took a dark turn. Kind and gentle, yet terribly, terribly lost, he did eventually get his land – and also some serious incarcerations, which he bore as marks of grim defiance.

My quest for “the world’s biggest library” resulted in inheriting the textual legacy of one of this planet’s oldest and most misunderstood peoples. I don’t know it all, by far, but I do know more than I did – though considerably less than there is to know.

Youthful dreams don’t always come true. But sometimes, their ripples may reach beyond imagination. Here’s to absent friends – and the open sea.

“Room 101 Amusement Park”

RELAXING IN PUBLIC CAN SOMETIMES bring unexpected consequences.

Seated in the Walnut Creek BART station in the spring of 1980, I was reading my well-thumbed copy of 1984. So engrossed was I in Orwell’s pessimistic prose that I didn’t hear the man approach.

“You’re only reading this NOW!?” he demanded in an outraged bellow.

His intensity belied his nonchalant appearance: mid-30s, cleanshaven, plaid shirt, blue jeans, loafers. Although he seemed a normal human (for some values of the words “normal” and “human”), it also seemed best not to provoke him.

“No,” I replied with calm sincerity. “I’ve read it a couple of times.”

His blue eyes speared mine with an emphatic glare.

“Good!” he declared, and stalked off toward the escalator.

I guess it pays to be polite.

Audiomobile

“COGITATE COGITATE COGITATE COGITATE COGITATE…”

So ran one of the many “found sounds” (today called “samples”) on the pass-around tape collages that were a fringe benefit of membership in the Neo-Pagan Society of Diablo Valley College in the early-to-mid-1980s. (Accent on “fringe.”)

My initiation into this three-part sonic conspiracy – which included “Mr. Bird” and “Zoro X.R. Troll” – came about on receiving from Zoro a postage-stamped 60-minute cassette tape with no explanatory note save “PLAY ME” written on its label. Curious, I popped it into my boombox and pressed “Play.” My ears were happily assaulted (in machine-gun succession and no particular order) by excerpts from: Alan Watts, William S. Burroughs, The Grateful Dead, Firesign Theater, a straitlaced radio preacher, Mr. Bird’s paranoid brother, Tom Robbins, Zoro’s favorite inspirational readings, The Beatles, Monty Python and the Holy Grail, and various other audial offerings now hazed by time and headspace, as well as Zoro’s drawled invitation to add to, subtract from, or otherwise mess with “this here tape” before sending it either back to him or on to Mr. Bird.

The process was simple:

1- Wire up two cassette recorder/players from output to input (this also works just as well, if not better, if you have one two-bay cassette player/recorder).
2- Load output player with whatever you like: music, spoken narrative or poetry, movie/tv soundtrack, sound effects, live microphone, &c., as limited only by imagination and source material.
3- Load a cassette into the input recorder, press “Record,” and engage the Pause button.
4- Play a section of the output tape.
5- Disengage input ‘s Pause button to record as much output as you want, then re-engage.
6- Switch output sources, the more incongruous and/or thematic the better.
7- Repeat process until you lose interest. (WARNING! It’s addictive.)

To simple, mad minds like ours, the results were vastly entertaining, and inadequately depicted in writing: “output1 (click) OUTPUT2! (click) OuTpUt3? (click) oUtPuT4…” ad infinitum.

After it was exchanged for a while, the tape had mutated into something very odd and layered indeed. One surrealistic iteration included dialog between myself and elements of David Bowie’s “Ziggy Stardust.” Another had Mr. Bird and Zoro calling out each others’ names in weird voices and at unexpected intervals. Yet a third featured Jim Morrison repeating the lyric “learn to forget” over and over and over.

For whatever reasons, we three eventually drifted away from this collaborative creation. Yet I still have a copy of the original tape kicking around here somewhere, plus one which I slowly built up over a period of nearly 20 years, always meaning to send it on to my colleagues.

Perhaps, one day, I will.

5 Thoughts: How I Spent My College Intuition

1. THEY SAY THAT IF YOU can remember certain events or associated places, it means you were never there; space-time knots whose experience is colored by the hazy circumstances of the experiencer. Case in point: the Neo-Pagan Society of Diablo Valley College, c. 1980-83ish.

2. NPS-DVC was the singular creation of “Chief Druid Zoro X.R. Troll” (who knows who he is but may not want you to): a seriously amiable poet attending Pleasant Hill’s then tuition-free community college with an eye toward finding kindred spirits. Continue reading “5 Thoughts: How I Spent My College Intuition”

Hiding in Plain Sight

THE BEST YOUTHFUL HANGOUTS MAKE deep, lifelong memories — especially after they’re gone.

Among our local, accessible, destinations in the late 1970s/early 1980s were those we called “The Bin,” “The Corridors,” “The Nuclear Plant” and “The Structure.” (Another, “The Twilight Zone,” has been written of elsewhere.) Listen, o seeker after others’ nostalgia, and attend:

THE BIN: In the middle of a church parking lot near the Walnut Creek BART station sat a shipping container-sized recycling receptacle. Continue reading “Hiding in Plain Sight”

Disposathon!

SPEAKING FROM EXPERIENCE: IT IS easier to get rid of everything in one big purge than a few things in a bunch of smaller ones.

The time: June 1985. Hopped-up on Jack Kerouac’s On the Road and The Dharma Bums, I aimed to do a bit of my own road scratching of experience-itchy soles. So I bought some necessaries, stuffed them into a backpack, and invited my friends to a giveaway-the-rest party. The reserves (my great-grandfather’s holy books, my birth certificate, a deck of Tarot cards, a loaded pipe, and such) went into two small boxes destined for a trusted friend’s garage. When I returned a year later, they were waiting to greet me like cardboard puppies. Continue reading “Disposathon!”

Of Heroes, Waterbeds, and After-Midnight Television

THERE IS A MOVIE THAT follows the struggles inherent in the so-called Hero’s Journey: a high-born child is raised in secret by commoners, and eventually groomed by a wise elder to overcome obstacles and fulfill his destiny by taking his rightful place among the knighted nobility. And that movie is called … The Black Shield of Falworth.

If TBSoF (1954) sounds a bit like Star Wars (or even Excalibur), that’s because it travels the same mythic highway. And if it feels like 1938’s The Adventures of Robin Hood, that’s because it too was based on a Howard Pyle book, Men of Iron. Continue reading “Of Heroes, Waterbeds, and After-Midnight Television”

The Brotherhood of Blood

SOMETHING ELSE THAT HASN’T SURVIVED into adulthood is the kid-concept of “blood brotherhood.”

It works like this: Two boys (did girls ever do this?) make an incision or a pinprick on their thumbs, then rub the wounds together. “Now we are blood brothers,” they will intone (if they intone anything at all, which they also may not). It’s an expression of intimate friendship; a ritual of bonding with what’s-today-called one’s BFF. And not to be entered into lightly.

I don’t know how old is this gesture is, or even if, in this hazardous fluids-aware world of ours, it is still practiced. Continue reading “The Brotherhood of Blood”

5 Thoughts: Comix with an X

1. CRUMB. GRIFFITH. SHELTON. THESE (AND other “sequential artists“) were the visual architects of my immediate post-adolescent universe; whose spare-but-dense works were strewn reverently on the couches and mattresses of my very late teens and very early 20s; whose fractured catchphrases (“Yow! Are we having fun yet?” “Hey kids, while you’re out smashing the state keep a smile on your lips and a song in your hearts!” “Dope will get you through times of no money better than money will get you through times of no dope!”) worked their way into the conversations of my fellow-freakly peers. Continue reading “5 Thoughts: Comix with an X”

On Homo relator (w/ Special Guest Star John Wheeler)

IT TOOK A WEIRD BOUT of synchronistic weather to illustrate for me how our species loves to tell stories.

First, you need to know about Mugwort Manor. It was a Victorian apartment near the corner of San Francisco’s Fulton and McAllister streets where all the best 1980s’ “major ragers” took place, roughly according to the neo-Pagan calendar, for a specific group of Renaissance Pleasure and Dickens Christmas Fair(e) habitues, occasional bike messengers, poets, musicians, theater folk, and other outliers: social circles mostly (though not exclusively) centering on secretly famous Mugwort resident John Wheeler a”h [1]. Continue reading “On Homo relator (w/ Special Guest Star John Wheeler)”

How Many Dead Friends Are There?

James_Sputnik_Gjerde_1962-2002
James Sputnik Gjerde: 1/24/1962 – 12//27/2002
AT LEAST ONCE OR TWICE a week The Metaphorager‘s access logs reveal that someone is reading “Letter to a Dead Friend,” a 2010 paean to my still-dear psychic twin James “Sputnik” Gjerde. At this writing (March 2019), there have been 72 views in the past twelve months alone; it’s the second-most viewed post in that time, and the tenth-most of all time. As I favor artful bluntness in my headlines, it seemed natural to title it thus.

Little did I know that it would generate such traffic.

Since the ‘logs showed this article had surfaced via search-engines, I first thought it was from people wanting to make one last goodbye Sputnik-ward. Continue reading “How Many Dead Friends Are There?”

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