Ageless Speech

SPEAKING OF H.P. LOVECRAFT, as I was in the prior post, it’s easy to dismiss him for what some have called his “overly purple prose.” He can, I admit, become extremely flowery at times, but as mentioned here and elsewhere, the man was a true poet at heart: his writing is evocative, and justly so – its literary power is derived from the consent of the reader to simply and happily wallow in it. By way of illustration, I offer the following sonnet from a collection of same on weird topics titled Fungi from Yuggoth. It speaks to me, and deeply; I hope it does the same for you.

XXXVI. Continuity

There is in certain ancient things a trace
Of some dim essence—more than form or weight;
A tenuous aether, indeterminate,
Yet linked with all the laws of time and space.
A faint, veiled sign of continuities
That outward eyes can never quite descry;
Of locked dimensions harbouring years gone by,
And out of reach except for hidden keys.

It moves me most when slanting sunbeams glow
On old farm buildings set against a hill,
And paint with life the shapes which linger still
From centuries less a dream than this we know.
In that strange light I feel I am not far
From the fixt mass whose sides the ages are.

Reading Assignment

WHATEVER YOU’RE DOING RIGHT NOW, stop – and order from your favorite bookseller Liel Leibovitz’ How the Talmud Can Change Your Life (Surprisingly Modern Advice from a Very Old Book). It’s a breakneck-speed, 272-page survey of Jewish history, bringing to life the key sages and lively times of the Talmud like never before, with illustrations drawn from Aldrich Ames and Billie Holiday and Weight Watchers and the Dewey Decimal System. I read it in three days, only grudgingly taking time for sleep and meals; it’s mildly profane and very learned and joyful and engaging and funny and sweeping and heartbreaking and really, really, real. You owe it to yourself, and to your understanding of Judaism, to read this book.

Seriously. Do it now.

Welcome to a No-Cost, All-Text, AI-Free Zone!

DEAR PATIENT READER (and anyone else who happens by),

Please enjoy this mellow mix of rusty recollections, offbeat observations, friendly particularism, tasty recipes, unpretentious poetry, entertaining quotes, recreational science, and wry spirituality. And if you’re eager to meet my short-story hero Prosatio Silban, the self-defrocked holyman in a fantastic land who makes a meager but honest living as a mercenary cook, allow me to introduce you!

Thank you for your patronage, and be well,

Neal Ross Attinson

First Graf (rather, Line): The Lord of the Rings

OF THE 90% PETER JACKSON got right in his 11-hour and 22-minute adaptation of J.R.R. Tolkien’s best-beloved work – the lush landscapes, the Balrog, Elves, the Nazgul, Sauron, Orcs and Uruk-hai, Gollum, Ents, hobbits (MY GHAWD! THE HOBBITS!!!), the Ring, Grima, the very different cultures and props and sets and cities and overall “look” – he got right in abundance.

But that other 10% … oy.

Read the actual books and you’ll discover that Aragorn is not a timid wimp, Gimli is not comic relief, Arwen isn’t an avenging angel, Saruman and Gandalf never duked it out with magic staves, Faramir didn’t try to bring the Ring to his father, the dialogue is more formal and less modern (except for the rustic hobbits), there’s a wonderful character named Tom Bombadil, and the book features a single climax instead of three simultaneous ones. And that well-traveled literary road begins, quite simply, like this:

When Mr. Bilbo Baggins of Bag End announced that he would shortly be celebrating his eleventy-first birthday with a party of special magnificence, there was much talk and excitement in Hobbiton.

“Room 101 Amusement Park”

RELAXING IN PUBLIC CAN SOMETIMES bring unexpected consequences.

Seated in the Walnut Creek BART station in the spring of 1980, I was reading my well-thumbed copy of 1984. So engrossed was I in Orwell’s pessimistic prose that I didn’t hear the man approach.

“You’re only reading this NOW!?” he demanded in an outraged bellow.

His intensity belied his nonchalant appearance: mid-30s, cleanshaven, plaid shirt, blue jeans, loafers. Although he seemed a normal human (for some values of the words “normal” and “human”), it also seemed best not to provoke him.

“No,” I replied with calm sincerity. “I’ve read it a couple of times.”

His blue eyes speared mine with an emphatic glare.

“Good!” he declared, and stalked off toward the escalator.

I guess it pays to be polite.

The Zine Scene

A LONG TIME AGO, IN a post office far, far away, our mailbox was fraught with wonder and excitement.

In those cultural Dark Ages of pre-public Internet access, creative folk could communicate through the medium of “zines” – homegrown/amateur magazines, usually (but not always) photocopied by the dozen at the local 24-hour Kinko’s. Zine subjects were limited only by the interests and imaginations of their creators: politics, music (mainly punk rock), personal essays, communality, underground comix, satire, movies, TV shows, media criticism in general, religion, cassette culture, spirituality, alternative lifestyles, history, science fiction, fantasy, sexuality – the list goes on.

At the hub of this textual universe stood Factsheet Five, the quarterly “zine of zines” stuffed with hundreds of brief reviews and publisher contacts. Each issue opened up entire worlds of conceptual adventure, and she and I would take turns devouring it and highlighting the publications we wanted to receive. Per-issue costs could be anywhere between a few stamps, a few bucks, or trade for “something interesting” — including one’s own zine.

We were both well-supplied to swap: she with her women’s spirituality “perzine” (personal zine) Sacred Wilderness and me with my elsewhere-described Far Corner, a UFO/paranormal satire journal. For those small but intense investments – thinking, writing, copying, and postage – we netted a substantial return from independent publishers all over the planet.

Factsheet Five has passed into the What-Was, having ceased production in 1998. Blogging, vlogging, Substack, YouTube content, and social media in general now fill the creativity gap once occupied by zines; they’re cheaper, have a potentially longer reach, and can be published and accessed with greater immediacy. As a result, the weekly post-box trip has become more prosaic and less exciting. But the memories remain, of a secret world populated by anyone who could afford to get their personal word out and connect with likeminded others. I like to think that, though the medium may have dwindled, the spirit hasn’t. Long live the revolution!

Come Dance With Me

A QUICK AND HUMBLE ASK: If you enjoy The Metaphorager, please consider subscribing to its newly revised, very occasional, and 100% FREE mix of rusty recollections, offbeat observations, friendly particularism, tasty recipes, unpretentious poetry, wry spirituality, and short stories — lots and LOTS of short stories. Never miss another post — join the fun today!


 

Private Fame

TO AN AMATEUR SKYWATCHER (in the original sense of that first word), the beginning of the month is quite special; it’s when the new issue of Astronomy arrives. Among that magazine’s many excellent features and fixtures is “Ask Astro,” where experts answer readers’ questions. Here is something from the May 2023 “Ask Astro” that — well, just look:

May 2023 Ask Astro feature

The Writer’s Task

… [T]here is no need for you to go a-begging for aphorisms from philosophers, precepts from Holy Scripture, fables from poets, speeches from orators, or miracles from saints; but merely to take care that your style and diction run musically, pleasantly, and plainly, with clear, proper, and well-placed words, setting forth your purpose to the best of your power and as well as possible, and putting your ideas intelligibly, without confusion or obscurity. Strive, too, that in reading your story the melancholy may be moved to laughter, and the merry made merrier still; that the simple shall not be wearied, that the judicious shall admire the invention, that the grave shall not despise it, nor the wise fail to praise it. … [I]f you succeed in this you will have achieved no small success.”
— Miguel de Cervantes (from the Prologue to Don Quixote)

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