Rethinking “Privacy”

RECENTLY, ONE OF MY FAVORITE blogs switched their commenting software from one which featured anonymous “handles” to one which can also link readers under their real names. It has caused me to rethink what I thought I took for granted about privacy — and explain why I now post solely under my real name.

In 1996, I was irate with a local politician who had left a “How’m I Doing?” flyer on our door. I told her exactly how I thought she was doing, and was about to toss it in the mail, when Ann pointed out that I hadn’t signed my name to it.
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Where Have All The Fandoms Gone?

STOP WHAT YOU’RE DOING RIGHT now and read this article by Patton Oswalt about how instant access to everything has brought about the Death of the Fannish Underground. Oswalt speaks to and for those whose fannish identity was built up layer by carefully wrought layer, recalling when one person could consume an entire year’s output of fantastic and science fictional media (and still have room for more). It’s all, he says, in the effort:

The Lord of the Rings used to be ours and only ours simply because of the sheer goddamn thickness of the books. Twenty years later, the entire cast and crew would be trooping onstage at the Oscars to collect their statuettes, and replicas of the One Ring would be sold as bling.

The topsoil has been scraped away, forever, in 2010. In fact, it’s been dug up, thrown into the air, and allowed to rain down and coat everyone in a thin gray-brown mist called the Internet.

More tragic historian than off-my-lawn ranter, Oswalt perfectly captures the sweaty essence of 80s fandom — and makes me wish I’d written it first. I’m not sure I agree with his conclusions, but I do feel a bit sad for kids who’ll never have the fun that we had(1). Something thrilling there is in being part of something secret that yields unexpected connections in unlooked-for places…

See:
– “Wake Up, Geek Culture — Time To Die” by Patton Oswalt
– “Hey Fanboy!” (Fannish posts on Metaphorager.Net)

(1) (On the other hand, they’re probably having some sort of fun that I can’t, so it all works out.)

Consensual Art: Do Not Screen

Fig. 1.
THE LAST MAIL-ART PROJECT I “did” was a series of one or two audiocassette collages with (sub)genius co-conspirators Alan K. Lipton and David Wilson circa 198x-199x. We’d record a bunch of weird stuff and send it on to the next fellow to “see what [he] could do with this here tape … rearrange it, delete anything, add anything” (as David growled at some random 3 a.m.). Listening to it evolve, with bits of past tapes peeking through the mix like enigmatic epitaphs, brought a satisfaction like no other: an aural jigsaw puzzle assembling itself from cracked refractions.

That spirit of collegial creativity is one of the ideas behind Do Not Screen, a website which purports to present the contents of a mysterious red box in the “vast remoteness of Northern Michigan.” The contents included hundreds of cut-up 16mm film strips and a variety of other documents, some retrieved from envelopes marked “DO NOT SCREEN:”

Rather than re-assemble the film myself, I am, in the spirit of analog, snail-mailing frames from the film as well as a url with a corresponding activation code to scholars, students, theorists, film buffs, cultural anthropologists, writers, artists, editors, and others. In collaboration with the Critical Media Lab, I will manage a database that will reassemble the film in its proper order, with each frame-series (the strips of 12 frames) being activated as frame recipients log onto the website and enter the unique activation code that corresponds to their film strip. The more people who enter their frame numbers, the more complete the film will be.

Under a lens, the strip I received in the mail last week seems to show a group of 50 people dressed in cold-weather 1940s businesswear standing around someone’s backyard. The accompanying handwritten document, brown and crisp with age, was a labor receipt for ash retrieval and ditch filling. The whole exudes a creepy and cool aura, and I can’t wait to see how it all turns out.

Scrapheap Waters

THAT’S AN ANAGRAM FOR “EARTH Warps Space,” the latest news out of NASA. Put simply: In our 4th-dimensional universe, gravity runs downhill. Put less simply, http://science.nasa.gov/science-news/science-at-nasa/2011/04may_epic/. Quoted lede: “Einstein was right again. There is a space-time vortex around Earth, and its shape precisely matches the predictions of Einstein’s theory of gravity.”

Accented Enlightenment

SO MANY OF OUR VERBAL surroundings are invisible to us; we live like blind fish in a sea of words. Two experiments to make the background pop out:

1. Try shifting the accent on multiword phrases; e.g., “Vanity Fair” turns from a magazine into a wry comment on mores (Vanity Fair instead of Vanity Fair). That may actually have been the original intent, FAIK.

2. From where you’re sitting now, how many words can you see (e.g., ID tags, slogans, ads)? Of these, how many are necessary for the worded thing’s function (e.g., the colorful packaging on a soda can)? If not, then why do they exist?

By paying attention to our attention, we become open to universes-next-door … right in front of our faces.

Of Monkey Brains and Infinity

ALTHOUGH WE’RE NOT GENERALLY A “quotes ‘n’ links” blog, today The Metaphorager feels compelled to pass along two related items:

1) From Robert Anton Wilson‘s Prometheus Rising, p. 201:

“[…] Simply accept that the universe is so structured that it can see itself, and that this self-reflexive arc is built into our frontal lobes, so that consciousness contains an infinite regress, and all we can do is make models of ourselves making models …
“Well, at that point, the only thing to do is relax and enjoy the ride.”

2) Charles & Ray Eames’ 1968 film Powers of 10. (I used to assign this completely scientific piece as homework for my religious-school students to flex their awe-muscles. It’s a brief magnification journey within and without the hand of a man sleeping next to Lake Michigan. See it. See it now.)

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