Tag: Hey Fanboy!

I was 6 when _2001_ premiered; 15 for _Star Wars_. I keep a set of weird-looking dice in my briefcase. Nuf said?

Literal Myths

DOES IT MATTER WHETHER OR not our sacred writings are historically accurate?

This question comes up every year at our synagogue Torah study, as people go to great lengths to try and explain the fantastical events of the text, especially the Book of Exodus, by relating them to natural events. Somebody is bound to mention that the Nile’s fish were killed by a blood-red tide, that locust swarms were a common (and in the Torah’s case, well-timed) occurrence, that Mount Sinai was a volcano, etc., etc., etc.

I feel that these good-natured and well-intentioned attempts at explanations may be unnecessarily missing the point. My own point of view is that what matters is the story. Continue reading “Literal Myths”

First Graf(s): The New Hacker’s Dictionary

THE DEFINITION OF “HACKER” HEREIN is “a person who enjoys exploring the details of programmable systems and how to stretch their capabilities, as opposed to most users, who prefer to learn only the minimum necessary.” In 2019, we have all sorts of hackers — computer hackers, life hackers, biohackers, mindhackers — all trying to understand, implement, and twiddle with hidden qualities and little-known or -understood features of whatever it is they’re hacking.

The New Hacker’s Dictionary, adapted from and AKA “The Jargon File,” got its start in 1975 as a text file (accessible by what your Grandpa used to call “FTP“) shared over networks by the original (computer) hackers. Continue reading “First Graf(s): The New Hacker’s Dictionary”

Why I Love: Books

IT’S THEIR SMELL. IT’S THE way they feel in my hand(s). It’s the inner voices of different fonts. It’s that they’re a direct link from somebody else’s mind to mine. It’s the varied and variegated subject matter. It’s the endless fun of categorizing and re-categorizing a home library. It’s the way they look on the bookshelf. It’s the impression they make on guests. It’s the way they illustrate my thinking and interests. It’s the way they bend their shelves. It’s the painstaking search for new, used, and relevant titles. It’s browsing their indices, their bibliographies, and their tables of contents. Continue reading “Why I Love: Books”

Why I Love: Star Wars

IT’S THE BLUE INTERTITLE PROCLAIMING “A long time ago in a galaxy far, far away…” It’s the concept of the Force: nakedly nondual, essentially Taoist, but not preachy about it. It’s the costumes. It’s the sets (even the CGI ones, but especially those of handmade origin). It’s the original spaceship designs. It’s the lightsaber battles, especially the long-awaited-by-fans Darth Vader v. Obi-wan Kenobi duel in Episode III. It’s the way each film ups the special-effects ante for the whole film industry. It’s the details. It’s the recycled sounds; especially for R2D2, the jawas, various droids, etc. (It’s also the Wilhelm Scream.) Continue reading “Why I Love: Star Wars”

No Boomer I

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WELL, THAT’S NOT QUITE ACCURATE — I am, at least technically, a Boomer. But I’m also a member of one of the Lost Generations. And I’m not the only one.

I was born in 1962. That makes me, according to the U.S. Census Bureau, a Baby Boomer; a member of that generation born after World War II and before 1964. But I don’t feel comfortable with that identification. Not because it’s fashionable to vilify Boomers (actually, it’s always been somewhat fashionable to vilify every generation but one’s own), but because of my tastes and cultural referents. Continue reading “No Boomer I”

First Graf: Understanding Comics

THIS BOOK WILL CHANGE THE way you think about (as author Scott McCloud concisely defines it) “sequential art.”

McCloud takes us inside the art form to explain how and why comics/graphic novels work. He tracks the 3,000-year history of Sequential Art from its Egyptian origins to the present day (well, the book’s 1993 publication anyway), breaking down the elements of composition, line, color, symbols, time, and the use of words; he even has a chapter on the unspoken relationship between panels and the space between them. Let’s let the chapter titles speak for themselves: Continue reading “First Graf: Understanding Comics”

Our Own Little “Zone”

IF YOU WERE CONSIDERED A teenage weirdo in the late 1970s/early 1980s in Northern California’s suburban Diablo Valley, you could always find a place on Friday nights at an independent cinema-house in Walnut Creek, gathering with others of your tribe to enact the mythic and terrible rites associated with “The Rocky Horror Picture Show.”

Aside from the ritualized viewing experience itself, this weekly event included standing in line hobnobbing with dozens of fellow viewers outside the El Rey Cinema for an hour or two before the film started at midnight. Continue reading “Our Own Little “Zone””

You Too Can Be a Citizen Scientist!

IT’S CALLED ZOONIVERSE — AND IT’S revolutionizing science as we know it.

Modern scientists (like the rest of us) live in an age of Big Data: zillions and zillions of units of information, too many for one person to effectively process. Enter Zooniverse, which for the past several years has been dragooning legions of interested volunteers to sift through hundreds of data-dumps in order to match patterns that a computer can’t — classifying galaxies, say, or rain-forest flowers, or a British census, or Beluga whales, or African wildlife, or other projects in such fields as climate science, history, biology, medicine, the arts, language and many more. Continue reading “You Too Can Be a Citizen Scientist!”

Well, He Did

DRIVING THROUGH SONOMA RECENTLY, I spied what may be the funniest, most secretly famous vanity plate ever devised. It was a California plate bearing the simple, six-character legend:

HAN 1ST

(If you need this explained, see https://en.wikipedia.org/wiki/Han_shot_first.)

By the way — you have just read The Metaphorager’s 700th post. It was a long trip from http://www.sonic.net/scoop to blogger.com to “here;” in that vein, I offer my very first blog post. Enjoy!

5 Thoughts: The REAL First Fandom

1. WHAT IF WE LOOKED AT Torah as if it were another created world, a la the works of Tolkien, Roddenberry, or Lucas? and its adherents as members of (perhaps) humanity’s oldest text-based fandom?

2. For one thing, they already bear a strong resemblance. Consider “midrash,” from the Hebrew word meaning “to study” or “interpret.” Midrashim are rabbinic stories addressing behind-the-scenes bits of Torah that aren’t explicit in the text: why did Abraham become a monotheist? Who was the first person to cross the Red Sea? Why are there two creation stories in the book of Genesis? Continue reading “5 Thoughts: The REAL First Fandom”

Live Long and Proffer

THE FIRST SOLO BAY AREA excursion I made after my mom and I moved to Walnut Creek in August 1977 was a trip to the aptly named Federation Trading Post, a Berkeley specialty store selling all sorts of Star Trek merchandise.

It was my second brush with official fandom of any sort. When I still lived back East, I had attended the 1975 Boston Star Trek convention, where my 13-year-old mind was blown by a hotel full of people who all suffered from the same obsession I did. Oh, I had it bad. Continue reading “Live Long and Proffer”

Are We (still) Not Men?

Image provided by Wikipedia
Fig. 1
FORTY YEARS AGO THIS WEEK, my friend Ralfh came over to my apartment, held up an album cover, and said, “You have to hear this.” He slid out the vinyl disk, put it on the stereo, lowered the tone arm, cranked the volume, and changed my life.

“Q: Are We Not Men? A: We Are DEVO!” was revolutionary band DEVO‘s first album, replete with such underground wonders as “Uncontrollable Urge,” “Space Junk,” “Come Back Jonee,” a solid cover of the Rolling Stones’ “Satisfaction,” and the anthemic “Jocko Homo” (the latter song making use of the album title as part of the chorus). Partly nihilistic, eminently danceable, the band’s message touted the “devolution” of modern humanity from its noble Homo sapiens roots to “monkey-men all / in business suits.” Continue reading “Are We (still) Not Men?”

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