5 Thoughts: Comix with an X

1. CRUMB. GRIFFITH. SHELTON. THESE (AND other “sequential artists“) were the visual architects of my immediate post-adolescent universe; whose spare-but-dense works were strewn reverently on the couches and mattresses of my very late teens and very early 20s; whose fractured catchphrases (“Yow! Are we having fun yet?” “Hey kids, while you’re out smashing the state keep a smile on your lips and a song in your hearts!” “Dope will get you through times of no money better than money will get you through times of no dope!”) worked their way into the conversations of my fellow-freakly peers. Continue reading “5 Thoughts: Comix with an X”

On “Secret Fame”

IN ANY HUMAN AFFINITY GROUP, of whatever size, there are always one or two people whom “everybody knows” — be it for their work, skills or sheer ubiquity.

This is the concept of Secret Fame: celebrities of the specialty worlds lying hidden all around us.

Secret Fame isn’t something you can claim for yourself. Like the terms “rebbe” or “saint,” it can only be bestowed. For example, if you were into Star Trek fandom in the late 1960s through 1970s, you’ve likely come across the name of fan extraordinaire Bjo Trimble. Continue reading “On “Secret Fame””

How I Missed the Moonwalk

THE LAST THING I REMEMBER is Neil Armstrong opening the LEM’s front hatch to begin his televised and epic descent.

When I was seven years old, and crazy for space, I had memorized the names of all the astronauts from Apollo 7 through 11 and built models of the lunar module in Revell’s plastic and Gulf Oil’s cardboard kits. Continue reading “How I Missed the Moonwalk”

The Stellar Siblinghood

Backyard astronomers are a special breed. They savor their moments under the stars. They have an infatuation — a love affair — with the cosmos that grows and nurtures itself just as meaningful human relationships do. Of course, it is a less definable one-way relationship, but I have come to regard that feeling as the closest I can ever come to being at one with nature. After a night under the stars, I have a sense of mellowness, an amalgam of humility, wonder and discovery. The universe is beautiful, in both the visual and spiritual sense.”

–Terence Dickinson, Nightwatch: A Practical Guide to Viewing the Universe

Open Invitation

THERE MAY BE NO QUICKER way to evoke reverent awe than by looking through a telescope at the night’s rich bounty.

I was 13 when I first trained a small refractor, a gift from my parents, on the planet Saturn. My jaw literally dropped when I saw that yellow disk floating in a golden ring. Just like the photos, I thought, only it’s REAL!

It is that reality, of actually seeing the moon and planets, which brings with it those tingling fingers of Wow running through our brains. It’s not necessarily a “religious” experience. But focusing on the vasty star-deep can be deeply spiritual. It’s also addictive and contagious. Continue reading “Open Invitation”

Larry Niven Calls This “The Funniest Prayer in Literature”

TUCKED INTO MY INDUSTRIAL-STRENGTH siddur (prayerbook) is the following supplication. It’s there to keep me riding the trail of Faith without falling into the trap of thinking I know everything — or, really, anything — about that-which-some-people-call-God. Ladies, gentlemen, friends, Romans, countryfolk, I give you … The Agnostic’s Prayer, from Roger Zelazny’s Creatures of Light and Darkness (© 1969):

Insofar as I may be heard by anything, which may or may not care what I say, I ask, if it matters, that you be forgiven for anything you may have done or failed to do which requires forgiveness. Continue reading “Larry Niven Calls This “The Funniest Prayer in Literature””

Why I Love: Robert Anton Wilson

IT’S THE WAY HE BLOWS my mind. It’s the way he mixes conviction with doubt. It’s his searingly funny prose. It’s his search for Ultimate Relativity. It’s that he taught me some important Latin phrases, like “Cui bono?” and “Non illegitimati carborundum” (look ’em up). It’s how he manages to make everything he writes sound like a personal communication to the reader. It’s the little phrase-gems he drops off-handedly like “reality-tunnel,” “domesticated primates,” or “guerrilla ontology.” It’s his nimble skipping from neuroscience to neuropoetry to neuroanalysis to neuropolitics. (It’s also that “neuro-” is his favorite prefix.) Continue reading “Why I Love: Robert Anton Wilson”

First Graf(s): The Fellowship of the Ring

IF YOU HAVE ONLY SEEN the movie version of The Lord of the Rings trilogy, you are missing out on an extraordinary literary work.

Granted, it takes a while to get into — a criticism also (and often) leveled against authors Steven King, Herman Melville and other exposition-happy types. But you’ll be surprised by the richness of the prose, the wealth of Middle-Earth’s detail, and the extensive background material. It truly reads like an historical travelogue filled with interesting sights and people. (And you’ll also encounter some significant differences from the movies, chief among which being that Aragorn is not a wimp.) Continue reading “First Graf(s): The Fellowship of the Ring”

Why I Love: Star Trek: Deep Space Nine

IT’S THE EPISODE-BY-EPISODE CONTINUITY. It’s the attention to detail (even in the direction). It’s the character development. (It’s also the characters.) It’s the insiders-feeling treatment of religious faith. It’s the strong female roles (mostly). It’s the sometimes-complicated political schemes. It’s the merry departure from physics (spaceships don’t swoop and dive, dudes!). It’s the treatment of alien cultures as complex, internally consistent organisms. It’s the realistic chemistry between O’Brien and his wife Keiko. (It’s also the making-fun of the lack of chemistry between Worf and Dax.) It’s watching Nog grow from a juvenile delinquent to an essential and important member of Starfleet. Continue reading “Why I Love: Star Trek: Deep Space Nine“

First Graf: Alice’s Adventures in Wonderland

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THIS WAS THE FIRST FANTASY I ever read — at the tender age of six or seven, IIRC — and remains one of my most beloved and oft-quoted books. In some ways it’s similar to Bullwinkle or SpongeBob Squarepants: touted as kiddie fare, but really told with a more mature audience in mind. Lewis Carroll’s puzzles and paradoxes (and John Tenniel’s classic illustrations) have been discussed for almost as long as the book has seen print, and some of the former’s riddles (“Why is a raven like a writing desk?”) remain today as enigmatic as Zen koans. Continue reading “First Graf: Alice’s Adventures in Wonderland”

5 Thoughts: Re-re-RE-Viewings

0. THERE ARE FILMS THAT YOU see once and say, “Meh.” Then there are others which grab hold of and mold your psyche in unexpected ways; movies that cry out “Watch me!” and require repeated viewings to grok in fullness — films that, while deep enough on their own, reveal new depths as the viewer grows with life-experience. Here are five to which I return every couple of years to measure myself.

1. Casablanca. Perhaps the greatest movie ever made, it has everything — romance, intrigue, honor, superb acting / writing / directing, Humphrey Bogart. Who doesn’t want to watch Bogie go from cynic to idealist and wind up fighting Nazis with someone he barely trusts? Continue reading “5 Thoughts: Re-re-RE-Viewings”

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