Deadline: 2036

ONE THING I MISS ABOUT the pre-21st-century days is the sense of humanity plunging headlong toward some destination.

These days, that collective goal seems hellbound and handbasket-wrapped. But in the days and years leading up to 1/1/2000, the Great Rollover, that sense of heading toward something great and mysterious was sometimes almost palpable. Maybe it’s because we could see a deadline.

Deadlines are wonderful tools for focusing the mind. Without one, I find myself picking listlessly at the keyboard; with one, I have an excuse, however small, to get off the couch. And that’s important. Our planet’s emerging global culture is lacking something without that sense of notional and communal quasi-closure, and I would like to offer a replacement.

In just about 25 years, give or take a month (or, to put it more or less as accurately as I can, in
days:hours:etc.) an asteroid named Apophis will make its second pass at Earth and quite possibly collide with it. That’s about as dead a deadline as you can get, but it’s also a good chunk of time — it’s a quarter-century off, which is sort of good news for us would-be codgers as it obviates the need for Social Security and other obligations; it’s close enough to inspire the imagination, yet far enough to finally develop those %$#@! jetpacks. And it’s a great excuse, however small, to get off the couch.

April 13, 2036. I hope to see you there.

A Complex Whiteness

YOU MIGHT THINK WHITE FLAGS mean “Surrender,” but if you’re talking about Aaron Fein‘s “White Flags” art piece — all the world’s flags rendered full-size in white cloth and embroidery — you’d better not say so in a public forum, or I’ll reply:

(T)o me the whiteness connotes a sameness — on one level it doesn’t matter that they’re white so much as monocolor. White is also the simplest color — it reflects the entire spectrum, is purely non-differential, and leaves nothing out. All dyed cloth begins and ends in whiteness. (White is also a popular color for bedsheets, which addresses the artist’s point about the welcoming tent of Abraham: rest and comfort at the end of a journey. A journey that begins in difference but whose end is only reached by One.)

Anyway, just a few thoughts. I am completely gobsmacked by the beauty and simplicity (and perhaps sense of humor) about this project. Thank you Tablet for bringing it to us.

The project — which really must be seen to be appreciated; I doubt photos actually convey the sense and scope — is the topic of a nice write-up at http://www.tabletmag.com/arts-and-culture/77571/white-flags/. The artist’s website is http://www.aaronfein.com/.

First Graf: Zen and the Art of the Internet

THE FIRST BOOK I EVER read about the Internet, in 1994, still gives me a wave of nostalgic novelty when I turn its pages now. The ‘Net was new in the public mind and not well understood back then, which is why books like 1992’s ZATAOTI were popular: it’s a beginner’s guide to all things then-Internet, from email to the Electronic Frontier Foundation.

These days, you just Google to find anything. But before Google (and before the World Wide Web) were Usenet and FTP, telnet and Gopher. You sort of had to know your way around in order to find anything. ZATAOTI’s 95 pages helped make the learning curve less steep for millions of people by helping them to think clearly and concisely about this strange new technology.

The composition of this booklet was originally started because the Computer Science department at Widener University was in desperate need of documentation describing the capabilities of this “great new Internet link” we obtained.

It’s since grown into an effort to acquaint the reader with much of what’s currently available over the Internet. Aimed at the novice user, it attempts to remain operating system “neutral”—-little information herein is specific to Unix, VMS, or any other environment. This booklet will, hopefully, be usable by nearly anyone.

Big Room, Little Box

SO NASA HAS JUST RELEASED a nifty web application that lets you whiz about the solar system in real time and swoop in next to planets and satellites and space probes to see what they’re doing (or at least what the programmers know that the scientists know that they’re doing). It’s called, appropriately, “Eyes On The Solar System” and if you don’t click on http://solarsystem.nasa.gov/eyes/ RIGHT NOW and try it boy will YOU be sorry. (Between this, Google Earth and Minecraft, the inner and outer worlds should mesh any day now.)

Putting It In Perspective

GIVEN THE POSSIBILITY OF EARTH’S demise-by-asteroid in 25 years, we at The Metaphorager will be trying to stay awake, aware, conscious, intent, productive, or otherwise engaged for the next
days:hours:etc. (Live it up, fellow Earthlings.)

Bicycle Safety 101

THERE IS ONE INFLEXIBLE RULE which, if followed diligently, will result in years if not decades of safe bicycling: Pretend you’re invisible.

Now, many get the wrong impression on first hearing this advice — they hear “invisible” and think “invincible,” as if an inability to be seen were some sort of safety asset. As a former bike messenger and longtime bike enthusiast, it’s been my observation that many drivers either can’t or won’t see you — especially in city conditions. And that can be … problematic. Continue reading “Bicycle Safety 101”

Equationary Simples

METAL = ROCKS + FIRE / SLAG.
WRITING = WORDS x TIME / TALENT.
LOVE = PEOPLE – EGO x ACTION.
COOKING = INGREDIENTS + TASTE x EXPERIENCE.
TEACHING = THOUGHT1 + THOUGHT2 x EXPERTISE / TOPIC.
FILM = IMAGES + SOUND x IMAGINATION
MUSIC = RHYTHM + MELODY x SOUL
ART = INTENTION + MATERIAL x ACTION

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