“Strangers Stopping Strangers, Just to Shake Their Hand…”

Well, I ain’t often right, but I’ve never been wrong —
It seldom turns out the way it does in the song.
Once in a while, you get shown the light
In the strangest of places, if you look at it right…”
— Robert Hunter, a”h

Confessions of an Earnest High School Dropout

IT ENDED LIKE THIS: “MRS. J—–,” I said evenly, “you should work for the city sewer department instead of teaching English — because you know more about scat than you do about good writing.”

Except I didn’t say “scat.”

And that’s why I didn’t graduate from high school.

Some background is in order: Mrs. J—– co-taught senior AP English at my Walnut Creek high school. She was a bitter, vindictive, tenured old woman who terrorized the other teachers, to say nothing of her students, and she had it in for me from day one. Continue reading “Confessions of an Earnest High School Dropout”

Words to Bring Back: “Pink”

– Definition (per SubGenius usage): adj. Happily and/or militantly vapid and mediocre; commercially soulless n. One who or that which exhibits these traits.

– Used in a sentence: adj. “I’m surprised to see the otherwise excellently talented Tom Hanks in a movie as Pink as Forrest Gump.” n. “Spank the Pink who tries to drive you nuts.” (DEVO)

– Why: Not so much a WTBB as a word deserving of greater currency. It’s a genuine and succinct Four Letter Word as nasty as any of its once-taboo brethren or sistren.

5 Thoughts: Comix with an X

1. CRUMB. GRIFFITH. SHELTON. THESE (AND other “sequential artists“) were the visual architects of my immediate post-adolescent universe; whose spare-but-dense works were strewn reverently on the couches and mattresses of my very late teens and very early 20s; whose fractured catchphrases (“Yow! Are we having fun yet?” “Hey kids, while you’re out smashing the state keep a smile on your lips and a song in your hearts!” “Dope will get you through times of no money better than money will get you through times of no dope!”) worked their way into the conversations of my fellow-freakly peers. Continue reading “5 Thoughts: Comix with an X”

“For My Next Trick, I Will Unite the Universe…”

A FUN WAY TO ENTERTAIN and enlighten early adolescents is via the following exercise:

“What’s the first dimension?” you’d ask. They’d answer, “Length.”

“The second?” “Width.”

“Third?” “Height.”

“Fourth?” “Time!”

“That’s right. Now, for my next trick, I will unite the Universe…” Continue reading ““For My Next Trick, I Will Unite the Universe…””

Ask Me Another

IT’S HARD TO STAND OUT from the billions of people using social media — but you can do it in a small way, at least among friends.

I’m speaking as a self-appointed Facebook Questioner, posing queries every Monday through Friday mornings. The questions are widely varied, e.g., “What is your language of love?” “What are you listening to?” “How would you accessorize your personal action figure?” “What qualities do you (try to) cultivate?” “Dubbing or subtitles?” “What’s your instant-relaxation strategy?” Continue reading “Ask Me Another”

ORL Interview: Ivan Stang

INTERVIEWING ONE’S CULTURAL HEROES IS one of the greatest thrills of a career in journalism — even of amateur journalism. Such was the position in which I found myself while working for Obscure Research Labs in the early-to-mid-1990s. It gave me an insider’s excuse to pester thinker and novelist Robert Anton Wilson, and granted equal access to Church of the SubGenius co-founder Ivan Stang. Herewith this interview, conducted through the mail and slightly edited for clarity and length, which first appeared in Far Corner v1n7, c. 1993. Kick back, slack off and enjoy this longest-by-far of The Metaphorager’s 800+ posts. Continue reading “ORL Interview: Ivan Stang”

On Homo relator (w/ Special Guest Star John Wheeler)

IT TOOK A WEIRD BOUT of synchronistic weather to illustrate for me how our species loves to tell stories.

First, you need to know about Mugwort Manor. It was a Victorian apartment near the corner of San Francisco’s Fulton and McAllister streets where all the best 1980s’ “major ragers” took place, roughly according to the neo-Pagan calendar, for a specific group of Renaissance Pleasure and Dickens Christmas Fair(e) habitues, occasional bike messengers, poets, musicians, theater folk, and other outliers: social circles mostly (though not exclusively) centering on secretly famous Mugwort resident John Wheeler a”h [1]. Continue reading “On Homo relator (w/ Special Guest Star John Wheeler)”

Street Light (Fourth Indigent Sketch)

HE WAS A FLORID, BEEFY man in his mid-to-late 30s, perched on a high concrete bench in San Francisco’s lunchtime-crowded Justin Herman Plaza, and wearing a grey beltless trenchcoat tightly buttoned up to his thick neck. Every minute or so he loudly proclaimed in an operatic baritone:

“What a friend we have in Jesus.”

A minute went by.

“What a friend we have in Jesus.”

Another minute. Continue reading “Street Light (Fourth Indigent Sketch)”

Why I Love: Robert Anton Wilson

IT’S THE WAY HE BLOWS my mind. It’s the way he mixes conviction with doubt. It’s his searingly funny prose. It’s his search for Ultimate Relativity. It’s that he taught me some important Latin phrases, like “Cui bono?” and “Non illegitimati carborundum” (look ’em up). It’s how he manages to make everything he writes sound like a personal communication to the reader. It’s the little phrase-gems he drops off-handedly like “reality-tunnel,” “domesticated primates,” or “guerrilla ontology.” It’s his nimble skipping from neuroscience to neuropoetry to neuroanalysis to neuropolitics. (It’s also that “neuro-” is his favorite prefix.) Continue reading “Why I Love: Robert Anton Wilson”

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