Why We Teach

from a pre-Blogger blog

Conversation with a 12-year-old bat mitzva candidate, who I’m tutoring by probing the meaning of the prayers:

Okay, read me the first part of the Sh’ma in English.

“Hear O Israel, the Eternal is G-d, the Eternal is One.”

Okay… what’s that mean?

“Well, G-d is one.”

What else?

“Well, that monotheism is something Jews believe in.”

Okay. But what does it mean to you?

“I think it means that, in a way, that we’re all Abraham, since Abraham was the first Jew, and the first person to know that G-d is One or that there’s one G-d. So, every time we say the Sh’ma, it’s like we’re saying that for the first time, and understanding that we’re Abraham.”

…..! Well…. ah…. what responsibilities does that give us, if we’re all Abraham?

“It means that we all have to treat each other honorably, and with love. But since we’re none of us perfect, and can only do the best we can, that’s what we have to do — the best we can.”

Rockin’ at the Beit Tefilah

from a pre-Blogger blog

What happens when you turn back the clock 2,000 years to add creativity to Jewish worship? Erev at the Improv, that’s what — an experiment in structured liturgical spontaneity which, happily, was enthusiastically embraced by the 30 or so people attending this evening’s service. (SIx or seven of them also embraced me afterward, in fact.) I’m absolutely blown away by this, still, at this writing.
Simplistic background: Around the beginning of rabbinical Judaism, we didn’t have standardized siddurim (prayer books) containing a bunch of standardized prayers. What we had, rather, was a standardized structure on which, jazzlike, prayer leaders would improvise a service — e.g., a Friday evening service in Alexandria, say, and one in Rome or Jerusalem would all have two blessings before the Sh’ma prayer — one for creation of the world, the other for the revelation of Torah — but the specific wording of the blessings might be different. Over many years, though, and partially motivated by political conflicts between rival Jewish communities, favorite prayers — “The Top 40,” if you will — were collected and edited into the modern siddurim we use today.

So… armed with this knowledge, acquired from a recent Ritual Committee meeting; inspired by a congregational call for more creative communal worship, and enthusiastically encouraged by our very cool Rabbi, I assembled and wrote a six-page service using structured improvisation* — just like the Good Old Days.

The evening had one rule: Nobody could say anything unless they phrased as a blessing: a sentence beginning with “Baruch atah Adonai (Blessed are You, O G-d), Who…”

And the results were wonderful. It took about five minutes for everyone to catch on to the basic idea, but once that happened, yeehaw! People were really getting into it — Jewishly speaking from the gut about what they found most important in life. “Baruch atah Adonai, Who has let me feel my granddaughter’s hand in mine.” “Baruch atah Adonai, Who has given us new things to find every time we study Torah.” “Baruch atah Adonai, Who has given me a community to support me in my time of need.” And so on into the evening — a steady flow of “Baruch atah Adonai,” punctuated by reflective silence.

Three post-service comments stood out: “I didn’t know any of this was supposed to mean anything.” “What I liked was that it was creative, but completely Jewish.” “Can we do this again?”

And so we shall — on May 11. Wheee.

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