IN MANY WAYS, THIS 1958 book is better than the earlier On the Road. Kerouac’s signature stream-of-consciousness narrative style is more flowy, and the novel’s lionized centerperson (poet Gary Snyder, or “Japhy Ryder” as tDB calls him) a more noble…
IN MANY WAYS, THIS 1958 book is better than the earlier On the Road. Kerouac’s signature stream-of-consciousness narrative style is more flowy, and the novel’s lionized centerperson (poet Gary Snyder, or “Japhy Ryder” as tDB calls him) a more noble…
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